BANDS YOU WANT TO REUNITE RIGHT NOW

1 . Genesis

Genesis haven't toured with Peter Gabriel since The Lamb Lies Down on Broadway tour wrapped in May 1975, and they haven't stood onstage with him since a once-off reunion show in October 1982. According to Gabriel, that's unlikely to ever change. "I won't say never ever," he told Rolling Stone in 2011, "but it's in the outside department of the betting shop. . . I think if you stick with the stuff that nourishes you the most, then you'll probably be the happiest."

That's not to say that the Phil Collins-led incarnation of Genesis won't tour again; they hit the road in 2007 for a hugely successful reunion tour. After years in "retirement," Phil Collins has declared he's itching to get back on the road, possibly with Genesis. This seems like it might happen in 2015, assuming he doesn't change his mind again.                                                                                                                                                                                                                                                                                                     2.Pink Floyd

First off, the death of Richard Wright made a full reunion of the classic Pink Floyd lineup impossible. That said, David Gilmour, Roger Waters and Nick Mason could still tour as Pink Floyd and fill every stadium in the country 10 times over. They did all share the stage at a Roger Waters gig in London in 2011, but it's easy to imagine that being the last time it ever happens, because David Gilmour simply has no interest. He's made this clear over and over, and he's got so much money that nobody can force him to do anything. He didn't even want to tour as Pink Floyd without Roger Waters after 1994.

Roger Waters has been carrying the Floyd banner for the past decade, though word is that Gilmour is gearing up for a new album and possible tour this year. These solo gigs are as close as you're likely to get to Pink Floyd ever again. 

 .3.  Oasis

As the Everly Brothers and the Kinks proved, brothers don't get along very well in bands. The most amazing thing about Oasis is that they lasted as long as they did. But in 2009, they had an epic backstage brawl while touring Europe that ended the group.

This year marks the 20th anniversary of Definitely Maybe, but Noel Gallagher says he has no interest in a reunion tour to mark the occasion. "I think I'd rather not," he told Rolling Stone in November. "We are split up. You've heard that, haven't you? You must've heard. There is no band. So, no, I won't be getting involved, anyway. If there is a reunion, I won't be in it." That said, the Gallagher brothers are only in their forties. The money offers will grow and grow over the coming years, and it's hard to imagine this never happening. That said, some people can hold a grudge a remarkably long time. It'll be interesting to see what happens. 4. Talking Heads

Chris Frantz wants a Talking Heads reunion. Jerry Harrison wants a Talking Heads reunion. Tina Weymouth wants a Talking Heads reunion. Coachella surely wants a Talking Heads reunion. Millions of fans all over the planet want a Talking Heads reunion. It would make a fortune and the shows would probably be incredible. There's basically only one man on the planet opposed to a Talking Heads reunion and, sadly, he's the only one that matters. This is probably never going to happen because of David Byrne. Sigh. . . 

.5.The White Stripes

The White Stripes didn't seem like a group destined for the long haul. By the time the band started to break big in the very early 2000s, the duo was already divorced, but somehow, that seemed to have little impact. The bigger issue seemed to be Meg; the drummer was ill-equipped for stardom and she shied away from the spotlight. They called off a bunch of dates in 2007 because she was suffering from "acute anxiety." She then married Jackson Smith (son of Patti Smith and Fred "Sonic" Smith), had a baby and fell off the grid. Jack White said he was quite happy to keep the White Stripes going, but Meg had no interest. 

However, like Oasis, they are still young. Odds are, the two of them will play together at some point again. It might be in 20 years, but they're bound to cross paths somewhere down the road. If Mike Love and Brian Wilson can share a stage again, anything is possible.                                                                                                                                                                                                                                                         6.Guns N' Roses

A group called Guns N' Roses has been touring for the past 13 years. That's longer than the old group managed to last, but many fans just aren't willing to accept a Guns N' Roses without Slash and Duff, let alone Steven and Izzy.

A reunion tour would be greeted like the second coming of Christ, but it's a tricky proposition. Axl Rose is a pretty unforgiving man. He trashes Slash at every opportunity, even calling him a "cancer." He's willing to occasionally play a song or two with Duff and Izzy, but that's where he draws the line. Maybe someday a promoter will pull up to his house with a dumptruck full of money and he'll cave, but that's doubtful. Maybe it's for the best. Some things are best left a memory. 7///. Led Zeppelin

Led Zeppelin's 2007 reunion show at London's 02 Arena wasn't intended to be a cruel tease for their fans, but that's ultimately what it became. The group spent months rehearsing, eventually perfecting a two-hour show that was simply spectacular. Tickets were virtually impossible to come across, but fans assumed they'd at least do a few more gigs. Why else would they put so much work into it? Even Cream did seven shows, and those guys absolutely hate each other.

Sadly, the reunion began and ended that night in London. Jimmy Page and John Paul Jones were dying to keep things going, but Robert Plant had other plans. His collaborative album with Allison Krauss was blowing up at the time, finally earning him critical raves and huge album sales outside of Zeppelin. Rumors circulate every year or two that Zeppelin are on the verge of doing more shows, but don't believe them. Robert Plant says he's done and there's no reason to think he's bluffing. 

TOP 100 CLASSIC ROCK SONGS

'Highway to Hell'1'Highway to Hell'

From 'Highway to Hell' (1979) MWhen AC/DC decided to hitch a ride on the 'Highway to Hell,' they also embarked on the fast track to conquering America and, though they were well on their way to achieving this already, the world. Set to the echoing signature riff’s portentous fanfare and powered by Phil Rudd’s inexorable backbeat, 'Highway to Hell' -- one of our top AC/DC songs -- also sparked parental concerns across America over its perceived satanic connotations. In reality, Mom and Dad were making much ado about nothing, since the song simply addressed the hardships of touring life -- but hey, whatever sells the papers!
Hear 'Highway to Hell'

,.. 2 / Back in Black'From 'Back in Black' (1980)

 Arguably the most recognizable guitar riff-and-lick combo in the universe, 'Back in Black' crowned the greatest, best-selling hard rock album of all time with a heartfelt tribute lyric -- notably penned by his successor, Brian Johnson -- for recently deceased AC/DC singer and soul Bon Scott. Heck, that’s a song almost worth dying for! Fittingly, 'Back in Black' also reflects AC/DC’s deepest roots in ‘50s rock and rockabilly, since its famous turnaround lick was allegedly inspired by the Johnny Kidd & the Pirates classic “Shakin’ All Over” – well worth sampling here.
Hear 'Back in Black'


3.You Shook Me All Night Long'You Shook Me All Night Long'
From 'Back in Black' (1980)


Arguably the biggest true single of AC/DC’s long career, 'You Shook Me All Night Long' makes this list of top AC/DC songs because it has surely lured more unsuspecting, non-traditional hard rock listeners -- not to mention virtually every female -- into the dirtier, tougher alleyways of the band’s discography than any other tune. AC/DC’s first American Top 40 hit (peaking at a now seemingly modest No. 35, in late 1980), it also enjoyed a second worldwide run at the charts in 1986 when it was featured on the ‘Who Made Who’ soundtrack and given a brand-new music video treatment to capitalize on the power of MTV at the height of its influence.
Hear 'You Shook Me All Night Long'

4Making an exhaustive list of the non-music places in which the Scorpions’ entry on our Top 100 Classic Rock Songs list, ‘Rock You Like A Hurricane,’ can be heard is difficult.

However, it’s safe to say that when a song is championed by ‘The Simpsons,’ college football teams and a Dave Eggers novel, it has clearly reached pop-culture ubiquity.

Released in 1984, ‘Rock You Like A Hurricane’ propelled the German metal band’s ‘Love At First Sting’ album into the Billboard Top 10, although the song itself only hit No. 25 on the singles charts.

In terms of ’80s metal classics, however, the tune is the Platonic ideal: a headbanging-worthy repeating riff, gigantic drums, a ripping solo and an indelible refrain—sing it now—‘Here I am / Rock you like a hurricane.’

Although the official video is full of ’80s clichés (women dressed as animals, actual zoo animals, absurd sci-fi flourishes), the campy edge of the music never overshadows the ferocious nature of the song. Heck, ‘Rock You Like A Hurricane’ even sounds badass when interpreted by an orchestra: Just try to stop yourself from fist-pumping while watching this video of the band performing with the Berlin Philharmonic Orchestra.

5. With ‘Born To Be Wild,’ Steppenwolf delivered not only a timeless rock anthem and open road biker soundtrack, but also one of the most iconic songs of an era, and a clear choice for inclusion 

The song was written by Mars Bonfire who, though not a member of Steppenwolf, had previously been in the band The Sparrows with Steppenwolf leader John Kay.
The song appeared on the band’s debut album and was released as a single, making it as high as just shy of the No. 1 spot in the summer of 1968. It’s greatest success, however, would come a year later when it was featured prominently in the classic film ‘Easy Rider.’ From then on, it was forever attached to the idea of the open road, rebellion, freedom and rock and roll. The song has been covered countless times and used in dozens of movies and tv shows.
The other thing the song is most known for is the term ‘heavy metal’ as featured in the lyrics — “I like smoke and lightning / Heavy metal thunder!” There is debate as whether or not this is the first time that term was used, ultimately becoming a musical genre unto itself, but even if it’s not, it’s certainly the most identifiable. Now go on, get your motor runnin’…time’s a wastin’!
. Don’t Bring ‘Me Down’ may just be Jeff Lynne’s most concise and representative musical statement.          You can hear a Jeff Lynne song from a couple miles down the road — it’s all in the bass drum. That magnificent, booming sound that’s graced records by Tom Petty (‘Running Down A Dream’), Roy Orbison (‘You Got It’), even the Beatles (‘Free As A Bird’).

‘Don’t Bring Me Down’ has got those drums, and oddly enough, that’s about all it has — the song represents the first time the band released a track without strings, and by the group’s ornate arrangement standards, it’s positively rudimentary.

Recorded in Munich, Germany during sessions for ELO’s 1979 ‘Discovery’ LP, ‘Don’t Bring Me Down’ emerged almost whole cloth from Lynne, who wrote the tune on piano and immediately moved to complete the backing track on his own, using a slowed-down drum tape from a previous song to create the tune’s trademark beat. It’s unknown if any other members of ELO even played on the track.

That makes it pure, vintage Lynne in a way that maybe no other ELO hit can claim. And while the Electric Light Orchestra counted plenty among its membership over the years, from its second album onward, the band acted largely as a musical auteur vehicle for Lynne’s gifted songwriting and arranging skills.

While ‘Don’t Bring Me Down’ wasn’t Electric Light Orchestra’s first hit single, it was by far the band’s biggest smash, peaking at No. 4 on the Billboard Hot 100 and No. 3 in the UK; it also charted highly in Canada and Australia. As of November 2007, the track had logged a whopping two million radio airplays according to BMI. After ‘Evil Woman,’ ‘Mr. Blue Sky’ and ‘Livin’ Thing’ have faded into history, ‘Don’t Bring Me Down,’ one of our Top 100 Classic Rock Songs of all time, may stand as Lynne’s greatest recorded legacy.

Well, that and ‘Xanadu.’

7.

Until the time of their 1973 smash ‘Ramblin’ Man’, the Allman Brothers Band had largely been centered around siblings Duane and Gregg Allman.

The years since the breakthrough success of the band’s 1971 live album ‘At Filmore East,’ however, were anything but kind to the band.

With the group losing both guitarist Duane Allman and bassist Berry Oakely in separate motorcycle accidents barely a year apart, many probably wondered if the Allmans would ever recover.

The answer, in the form of their 1973 album ‘Brothers and Sisters,’ was a clear “yes,” with the song ‘Ramblin’ Man’ becoming one of the band’s most beloved tunes and earning a spot on our Top 100 Classic Rock Songs.

In response to the tragedies that had unfolded before them, on ‘Brothers and Sisters’ Allmans guitarist Dickey Betts stepped up to the plate and delivered several strong songs, including the beautiful, wistful instrumental ‘Jessica’ and this classic anthem.

Perhaps one of the most concise examples of what would be classified as “Southern Rock,” the song’s guitar lick and chorus are firmly entrenched in the minds of millions of fans, and will remain there for generations to come.

8.The Cars set the bar rather high for themselves with their 1978 self-titled debut: Out of the album’s nine songs, seven of them remain AOR staples to this day. Perhaps the most indelible of those tunes, however, is ‘Just What I Needed.’

This clear choice for our Top 100 Classic Rock Songs list crams together hooks in simple, yet inventive, ways. First, there’s the staggered, stuttering intro– splattered quarter notes and then clipped eighth notes punctuating concise, tick-tock guitar. Then, the song’s tension increases as minimalist chords — containing no more than several changes — kick in and gradually pile up underneath the first verse.

Things build even more before the second verse, thanks to the emergence of an unexpected curveball: a fuzzy keyboard line which languishes like a siren. That crucial element anchors ‘Just What I Needed’ for the duration, as it unfolds into a rather biting tune.

The lust the narrator has for the mysterious object of his affection is obvious: “I don’t mind you coming here / Wasting all my time / Cause when you’re standing oh-so-near / I kind of lose my mind.” However, the chorus reveals more than a little arrogance — if not disdain for this beauty—on the protagonist’s part, as he asserts, “I guess you’re just what I needed / I needed someone to” alternately “feed,” “bleed” and “plead.”

Heartthrob bassist Ben Orr assumes lead vocal duties, which softens the tone of the song somewhat. Orr sounds like more a teenybopper singer than he does a muscular rocker, presaging new-wave’s embrace of unconventional masculinity. In fact, ‘Just What I Needed’ is a bridge between the past and future: Classic rock-friendly riffs and unabashed expressions of lust cohabitate with power-pop’s brevity and new wave’s keyboard-pop.

Post-‘The Cars,’ mingling rock elements with electronic sounds became de rigeur. Even ragged rockers the Strokes, who in later years felt more like a Cars tribute band than one indebted to NYC hip